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Mark is a good Catholic boy. He goes to church, he says his prayers, and he spends too much time worrying about hell. When Mark realizes he has a crush on another boy in his school, he struggles to reconcile his feelings with his faith as the weight of centuries of shame and judgment—and his fear of his parents' response—presses on his shoulders. Mark seeks advice from his priest, as well as a local drag performer, but also receives unexpected input from key figures in Catholic history and lore, including Joan of Arc, Michelangelo, St. Sebastian, and Savonarola. Ultimately, only Mark can answer the question: Is it possible for him to be both Catholic and gay?
Mark is a good Catholic boy. He goes to church, he says his prayers, and he spends too much time worrying about hell. When Mark realizes he has a crush on another boy in his school, he struggles to reconcile his feelings with his faith as the weight of centuries of shame and judgment—and his fear of his parents' response—presses on his shoulders. Mark seeks advice from his priest, as well as a local drag performer, but also receives unexpected input from key figures in Catholic history and lore, including Joan of Arc, Michelangelo, St. Sebastian, and Savonarola. Ultimately, only Mark can answer the question: Is it possible for him to be both Catholic and gay?