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Through the porosity of the US/Mexico border, Freudian slippages, and toxic relationships, poet Juana Adcock interrogates what it means to cross from one country into another – the gradient spaces that inhabit the nexus between life and death, and the people and languages that sit either side of it. Ghostly glitches, the role of rivers, and the character of Lisa Simpson as voiced for the Latin American market all empower I Sugar the Bones to stand as a polyvocal display; one where revelatory restlessness is underpinned by predicaments and realities which work to complicate the vistas of the interpersonal.
Through the porosity of the US/Mexico border, Freudian slippages, and toxic relationships, poet Juana Adcock interrogates what it means to cross from one country into another – the gradient spaces that inhabit the nexus between life and death, and the people and languages that sit either side of it.
Ghostly glitches, the role of rivers, and the character of Lisa Simpson as voiced for the Latin American market all empower I Sugar the Bones to stand as a polyvocal display; one where revelatory restlessness is underpinned by predicaments and realities which work to complicate the vistas of the interpersonal.