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“There is great imagination and intrigue here, and it is eminently entertaining.” - The Guardian Backdropped by the bleak English moors, two sisters (and their dog) live a dreary existence, as they dream of forbidden love and power. So, when a hapless governess and a moor-hen arrive at their manor house, the two see a chance to claim what they've always wanted... no matter how destructive. A loving pastiche of the gothic genre, Jen Silverman echoes and channels the Brontë sisters in this irreverent celebration, that is equal parts brutal, lusty, and deranged. A macabre, queer thriller, The Moors is published in Methuen Drama's Modern Classics series, featuring a new introduction by Christine Scarfuto.
“There is great imagination and intrigue here, and it is eminently entertaining.” - The Guardian
Backdropped by the bleak English moors, two sisters (and their dog) live a dreary existence, as they dream of forbidden love and power. So, when a hapless governess and a moor-hen arrive at their manor house, the two see a chance to claim what they've always wanted... no matter how destructive.
A loving pastiche of the gothic genre, Jen Silverman echoes and channels the Brontë sisters in this irreverent celebration, that is equal parts brutal, lusty, and deranged.
A macabre, queer thriller, The Moors is published in Methuen Drama's Modern Classics series, featuring a new introduction by Christine Scarfuto.