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I love my estate. I thought it was so run down when we first came here, but I’d actually hate to live on a road again. No 40-40 run outs, no water fights, no park, no astro. It’s always buzzing – cars blasting music, kids playing. We’ve kinda made the wall by the entrance our spot. And we know – we get A LOT of attention. Spanning three decades, we join Jessica, Chanel and Latisha as they navigate first kisses, free yards, bullies and breakdowns. And some things you don’t talk about. Ever. Sophia Leonie’s debut play, MILLENNIUM GIRLS, set against a musical backdrop of UK Garage and 90s classics, is a joyful and achingly honest coming-of-age story exploring identity, girlhood and consent. This edition of MILLENNIUM GIRLS was published to coincide with the run, produced by Zoe Gibbons Productions, at Brixton House in May 2025.
I love my estate. I thought it was so run down when we first came here, but I’d actually hate to live on a road again. No 40-40 run outs, no water fights, no park, no astro. It’s always buzzing – cars blasting music, kids
playing. We’ve kinda made the wall by the entrance our spot. And we know – we get A LOT of attention.
Spanning three decades, we join Jessica, Chanel and Latisha as they navigate first kisses, free yards, bullies and breakdowns. And some things you don’t talk about. Ever.
Sophia Leonie’s debut play, MILLENNIUM GIRLS, set against a musical backdrop of UK Garage and 90s classics, is a joyful and achingly honest coming-of-age story exploring identity, girlhood and consent.
This edition of MILLENNIUM GIRLS was published to coincide with the run, produced by Zoe Gibbons Productions, at Brixton House in May 2025.