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Susana Thénon (1935–1991) is a key poet of the ’60s generation in Argentina. In Ova Completa, her final, most radical collection, Thénon’s poetics expands to incorporate all it touches—classical and popular culture, song lyrics and vulgarities, incoherence and musicality—embodying humor and terror while writing obliquely of femicide, Argentina’s last dictatorship, the Malvinas / Falklands war, the heritage of colonialism. Ova Completa is a collection full of stylistic innovation, language play, dark humor, and socio-political insight, or, as Thénon writes, “me on earth; me with the others; me ignorant, rude, all mixed in Latin, Greek, shit, noodles, culture, and barbarism.”
Susana Thénon (1935–1991) is a key poet of the ’60s generation in Argentina. In Ova Completa, her final, most radical collection, Thénon’s poetics expands to incorporate all it touches—classical and popular culture, song lyrics and vulgarities, incoherence and musicality—embodying humor and terror while writing obliquely of femicide, Argentina’s last dictatorship, the Malvinas / Falklands war, the heritage of colonialism. Ova Completa is a collection full of stylistic innovation, language play, dark humor, and socio-political insight, or, as Thénon writes, “me on earth; me with the others; me ignorant, rude, all mixed in Latin, Greek, shit, noodles, culture, and barbarism.”