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'My poor old heart, I've left its drawbridge down' Divorced, and perhaps a little bruised, Luke Wright journeys off the sunken roads of southern England and into himself, pursued by murderous swans, empty car seats, and his father's skeleton clocks. Both brazen and elegiac, these poems pull on the ‘tidy hem’ of responsible existence, unravelling the banal frustrations of online outrage and ageing friends, and grasping at something ‘beyond our squeaky comprehension’. Wright files through the shackles of cynicism to ask how can we let go without giving up. ‘Luke Wright is one of the greats. A poetic pugilist. Beguiling, hypnotic and master of the emotional sucker-punch. The Feel-Good Movie of the Year is his best yet.' - Carl Barât
'My poor old heart, I've left its drawbridge down'
Divorced, and perhaps a little bruised, Luke Wright journeys off the sunken roads of southern England and into himself, pursued by murderous swans, empty car seats, and his father's skeleton clocks.
Both brazen and elegiac, these poems pull on the ‘tidy hem’ of responsible existence, unravelling the banal frustrations of online outrage and ageing friends, and grasping at something ‘beyond our squeaky comprehension’. Wright files through the shackles of cynicism to ask how can we let go without giving up.
‘Luke Wright is one of the greats. A poetic pugilist. Beguiling, hypnotic and master of the emotional sucker-punch. The Feel-Good Movie of the Year is his best yet.'
- Carl Barât