Columbia University Press Paperback English
The Textual Townsman
Writing Urban Identity in Early Modern Japan
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In the late seventeenth century, Japan’s cities were sites of vast diversity and dynamism. Following decades of explosive urbanization, individuals of different occupations and economic strata came to rethink their relationships with other members of the urban community and old modes of local affiliation gave way to newly capacious forms of urban identity. These emergent social imaginaries were inextricably intertwined with the commercial circulation of woodblock-printed texts. This interplay of the social, the spatial, and the textual gave shape to a new social type: the Tokugawa townsman. In this innovative and interdisciplinary book, Thomas Gaubatz offers a fresh approach to understanding the literature of the Tokugawa townspeople. Ranging across history, literature, and print culture—including richly contextualized close readings of the works of Ihara Saikaku and Ejima Kiseki—he shows that popular fiction made sense of the urban world by modeling how individuals could refashion themselves through the performance of shared norms. Challenging the assumption that townsman literature was a voice of resistance to official ideology and warrior authority, Gaubatz argues that print fiction functioned to articulate new identities, legitimate emerging forms of social power, and symbolically contain the tensions and hierarchies within the urban community—and the contradictions within the townsman self. Through this vision of textual self-fashioning, The Textual Townsman develops a radically new account of the politics of popular fiction in Tokugawa status society.
In the late seventeenth century, Japan’s cities were sites of vast diversity and dynamism. Following decades of explosive urbanization, individuals of different occupations and economic strata came to rethink their relationships with other members of the urban community and old modes of local affiliation gave way to newly capacious forms of urban identity. These emergent social imaginaries were inextricably intertwined with the commercial circulation of woodblock-printed texts. This interplay of the social, the spatial, and the textual gave shape to a new social type: the Tokugawa townsman. In this innovative and interdisciplinary book, Thomas Gaubatz offers a fresh approach to understanding the literature of the Tokugawa townspeople. Ranging across history, literature, and print culture—including richly contextualized close readings of the works of Ihara Saikaku and Ejima Kiseki—he shows that popular fiction made sense of the urban world by modeling how individuals could refashion themselves through the performance of shared norms. Challenging the assumption that townsman literature was a voice of resistance to official ideology and warrior authority, Gaubatz argues that print fiction functioned to articulate new identities, legitimate emerging forms of social power, and symbolically contain the tensions and hierarchies within the urban community—and the contradictions within the townsman self. Through this vision of textual self-fashioning, The Textual Townsman develops a radically new account of the politics of popular fiction in Tokugawa status society.