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Dogtangle opens with a town hall meeting in a Taco Bell nestled in the bland corporate environment of Business Park. A man, bleating to anyone who will listen about the evils of current zoning laws, meets a woman who works in pharmaceutical marketing. They begin a relationship. They get married. From their union springs the idea of the Hypermutt: a many-headed mass of dogs that absorbs each new dog it encounters. This debut graphic novel from Chicago cartoonist Max Huffman, about an awful power couple who defy God and nature in creating a hound of hell for our times, is at turns a rich satirical fable, a white-collar black comedy, and a stylistic tour de force blending elements of abstraction, cubism, mid-century modernism, and visual sight gags. One of the most visually distinctive and funny graphic novels in recent memory, Dogtangle is also underpinned with a deep mistrust of corporate and cultural hegemony, cementing its relevance in our increasingly oligarchal times.
Dogtangle opens with a town hall meeting in a Taco Bell nestled in the bland corporate environment of Business Park. A man, bleating to anyone who will listen about the evils of current zoning laws, meets a woman who works in pharmaceutical marketing. They begin a relationship. They get married. From their union springs the idea of the Hypermutt: a many-headed mass of dogs that absorbs each new dog it encounters. This debut graphic novel from Chicago cartoonist Max Huffman, about an awful power couple who defy God and nature in creating a hound of hell for our times, is at turns a rich satirical fable, a white-collar black comedy, and a stylistic tour de force blending elements of abstraction, cubism, mid-century modernism, and visual sight gags. One of the most visually distinctive and funny graphic novels in recent memory, Dogtangle is also underpinned with a deep mistrust of corporate and cultural hegemony, cementing its relevance in our increasingly oligarchal times.