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Mittica first journeyed to Chernobyl in 2002, drawnlike many to photograph the impact of the worst technological catastrophe of the modern era. Hereturned many times and rather than focusing on the ruins and relics, sought to tell the stories ofthose he encountered in this unique place. ‘Chernobyl is a unique world full of contrasts—where stories of life and death intertwine andwhere nature is always the first to pay the price for man’s impact on planet Earth. The ‘dead zone’of Chernobyl today is full of life, life affected and mutated by the largest and most catastrophictechnological accident that humanity has ever suffered, a humanity that has no voice and hassuffered all the consequences.’
Mittica first journeyed to Chernobyl in 2002, drawnlike many to photograph the impact of the worst technological catastrophe of the modern era. Hereturned many times and rather than focusing on the ruins and relics, sought to tell the stories ofthose he encountered in this unique place. ‘Chernobyl is a unique world full of contrasts—where stories of life and death intertwine andwhere nature is always the first to pay the price for man’s impact on planet Earth. The ‘dead zone’of Chernobyl today is full of life, life affected and mutated by the largest and most catastrophictechnological accident that humanity has ever suffered, a humanity that has no voice and hassuffered all the consequences.’