Archaeopress Hardback English
Daughters of the Sun: Small Human Images in Megalithic Iberia, 4th-3rd Millennium BC
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Prehistoric human images have fascinated archaeological, anthropological and social researchers for many generations. They are known from the Upper Palaeolithic, but in the Neolithic their number increased significantly, forming part of the archaeological record throughout Europe. In Iberia, especially in the south, thousands of figurines have been preserved. These are small human figures of men, women, boys and girls, with female images predominating in funerary and domestic contexts. This volume brings us closer to the current state of knowledge in Iberia, from romantic archaeology to processual and post-processual archaeology. The book explores the number, geographical spread and extended chronology of the figurines – from the 6th to the 3rd millennium BC – and the social practices that lay behind their production and use. From goddesses to women, this exceptional legacy indicates an unprecedented role for women in these societies. The figurines illuminate the representation of identity, its chronological depth, the existence of workshops and distribution circuits, and the continued manipulation of these pieces over generations.
Prehistoric human images have fascinated archaeological, anthropological and social researchers for many generations. They are known from the Upper Palaeolithic, but in the Neolithic their number increased significantly, forming part of the archaeological record throughout Europe. In Iberia, especially in the south, thousands of figurines have been preserved. These are small human figures of men, women, boys and girls, with female images predominating in funerary and domestic contexts. This volume brings us closer to the current state of knowledge in Iberia, from romantic archaeology to processual and post-processual archaeology. The book explores the number, geographical spread and extended chronology of the figurines – from the 6th to the 3rd millennium BC – and the social practices that lay behind their production and use. From goddesses to women, this exceptional legacy indicates an unprecedented role for women in these societies. The figurines illuminate the representation of identity, its chronological depth, the existence of workshops and distribution circuits, and the continued manipulation of these pieces over generations.