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From the late eleventh to the late thirteenth century, during the existence of the Kingdom of Jerusalem and other crusader states, Latin Christians did not only frequently encounter Muslims on the battlefield, but also engaged in unprecedented commercial and cultural exchanges with the Muslim, Eastern Christian, and Jewish inhabitants of the Middle East. Through a focused analysis of fifty objects, this volume examines what material culture can tell us about interpersonal, interfaith, cross-cultural, and trans-regional encounters during this period. This richly illustrated volume explores a variety of Latin Christian, Eastern Christian, Muslim, and Jewish objects, including sculpture, glassware, metalware, manuscripts, textiles, painting, coins, and seals. Addressing the themes of Belief, Conflict, Exchange, Power, and Memory, the essays examine the conception of these objects and the uses to which they were put throughout their history. As a result, there emerges a picture of the Middle East as a place of profound cultural diversity and of multiplicity of encounters between different communities. The book stands as a valuable resource for students and scholars of the medieval crusades, the medieval Middle East and Europe, as well as all those interested in archaeology, art history, global history, and religious studies more broadly.
From the late eleventh to the late thirteenth century, during the existence of the Kingdom of Jerusalem and other crusader states, Latin Christians did not only frequently encounter Muslims on the battlefield, but also engaged in unprecedented commercial and cultural exchanges with the Muslim, Eastern Christian, and Jewish inhabitants of the Middle East. Through a focused analysis of fifty objects, this volume examines what material culture can tell us about interpersonal, interfaith, cross-cultural, and trans-regional encounters during this period. This richly illustrated volume explores a variety of Latin Christian, Eastern Christian, Muslim, and Jewish objects, including sculpture, glassware, metalware, manuscripts, textiles, painting, coins, and seals. Addressing the themes of Belief, Conflict, Exchange, Power, and Memory, the essays examine the conception of these objects and the uses to which they were put throughout their history. As a result, there emerges a picture of the Middle East as a place of profound cultural diversity and of multiplicity of encounters between different communities. The book stands as a valuable resource for students and scholars of the medieval crusades, the medieval Middle East and Europe, as well as all those interested in archaeology, art history, global history, and religious studies more broadly.