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Satoko dreams of marrying a noble but can’t escape the assassin who has her within his sights. Satoko is kidnapped and imprisoned on an isle of prostitutes. To escape, she and Shinpei come up with a plan for her to pose as one herself, but there’s one problem. Shinpei forbids her from letting another man touch her, vowing that he will be the only one to protect her. How can Satoko pull off a convincing performance with such a contradictory restriction in place? Satoko is kidnapped and imprisoned on an isle of prostitutes. To escape, she and Shinpei come up with a plan for her to pose as one herself, but there’s one problem. Shinpei forbids her from letting another man touch her, vowing that he will be the only one to protect her. How can Satoko pull off a convincing performance with such a contradic
Satoko dreams of marrying a noble but can’t escape the assassin who has her within his sights.
Satoko is kidnapped and imprisoned on an isle of prostitutes. To escape, she and Shinpei come up with a plan for her to pose as one herself, but there’s one problem. Shinpei forbids her from letting another man touch her, vowing that he will be the only one to protect her. How can Satoko pull off a convincing performance with such a contradictory restriction in place?
Satoko is kidnapped and imprisoned on an isle of prostitutes. To escape, she and Shinpei come up with a plan for her to pose as one herself, but there’s one problem. Shinpei forbids her from letting another man touch her, vowing that he will be the only one to protect her. How can Satoko pull off a convincing performance with such a contradic