Save 15%
-
Winner of the PEN Heaney Prize Shortlisted for the John Pollard Foundation International Poetry Prize A Guardian and Irish Times Book of 2023 The much-anticipated debut poetry collection from acclaimed novelist Susannah Dickey, on the subject of our cultural obsession with true crime. ISDAL is a timely interrogation of the true crime genre. In the first of its three parts, we follow the flirty co-presenters of a podcast about the mystery of 'Isdal Woman', whose burnt remains were discovered in Norway in 1970 and who has never been identified. At the centre of the book is an inquiry into our perennial obsession with female victims, sexiness, and death: ‘The death in question has already occurred’, the poet observes, ‘has occurred to someone sufficiently abstract as to allow us to romp gainfully, guilelessly, guiltlessly through a simulacrum of death’s corridors’. The free verse poems in the final section both explore and – perhaps inevitably – enact the ethical ambiguities of the genre. Witty, excoriating, formally ingenious, ISDAL marks the arrival of a thrilling talent in contemporary poetry.
Winner of the PEN Heaney Prize
Shortlisted for the John Pollard Foundation International Poetry Prize
A Guardian and Irish Times Book of 2023
The much-anticipated debut poetry collection from acclaimed novelist Susannah Dickey, on the subject of our cultural obsession with true crime.
ISDAL is a timely interrogation of the true crime genre. In the first of its three parts, we follow the flirty co-presenters of a podcast about the mystery of 'Isdal Woman', whose burnt remains were discovered in Norway in 1970 and who has never been identified.
At the centre of the book is an inquiry into our perennial obsession with female victims, sexiness, and death: ‘The death in question has already occurred’, the poet observes, ‘has occurred to someone sufficiently abstract as to allow us to romp gainfully, guilelessly, guiltlessly through a simulacrum of death’s corridors’.
The free verse poems in the final section both explore and – perhaps inevitably – enact the ethical ambiguities of the genre. Witty, excoriating, formally ingenious, ISDAL marks the arrival of a thrilling talent in contemporary poetry.