Your cart

Your cart is empty


Explore our range of products

15% off

Tate Publishing Hardback English

Making of Rodin

Contributions by Anne M. Wagner

Regular price £40.00 £34.00 Save 15%
Unit price
per
15% off

Tate Publishing Hardback English

Making of Rodin

Contributions by Anne M. Wagner

Regular price £40.00 £34.00 Save 15%
Unit price
per
 
Dispatched today with FREE Express Tracked Delivery
Delivery expected between Friday, 31st July and Saturday, 1st August
(0 in cart)
Apple Pay
Google Pay
Maestro
Mastercard
PayPal
Shop Pay
Visa

You may also like

  • Auguste Rodin (1840–1917) was a radical sculptor whose unorthodox approach to sculpture-making provided a definitive break in the history of Western sculpture. Although much of his commercial success was based on the bronze and marble versions of his work, Rodin’s greatest talent was as a modeller who captured movement, emotion, light and volume in clay and plaster, to challenge traditional conceptions of beauty and perfection. In line with new thinking on Rodin, this book explores the artist’s use of plaster, a material which demonstrates his interest in creating sculptures that are never completed, always becoming. United by their materiality, fragile and experimental pieces are explored alongside new readings of some of Rodin’s iconic works, and a selection of his watercolour drawings. Including an exclusive contribution from sculptor Phyllida Barlow, The Making of Rodin sheds light on the artist’s use of materials, his unique way of working, and his imaginative use of photography, revealing how Rodin reinvented sculpture for the modern age – and why his work continues to enthral and provoke to this day.
Auguste Rodin (1840–1917) was a radical sculptor whose unorthodox approach to sculpture-making provided a definitive break in the history of Western sculpture. Although much of his commercial success was based on the bronze and marble versions of his work, Rodin’s greatest talent was as a modeller who captured movement, emotion, light and volume in clay and plaster, to challenge traditional conceptions of beauty and perfection. In line with new thinking on Rodin, this book explores the artist’s use of plaster, a material which demonstrates his interest in creating sculptures that are never completed, always becoming. United by their materiality, fragile and experimental pieces are explored alongside new readings of some of Rodin’s iconic works, and a selection of his watercolour drawings. Including an exclusive contribution from sculptor Phyllida Barlow, The Making of Rodin sheds light on the artist’s use of materials, his unique way of working, and his imaginative use of photography, revealing how Rodin reinvented sculpture for the modern age – and why his work continues to enthral and provoke to this day.