Park Books Paperback English
The Advanced School of Collective Feeling
Inhabiting Modern Physical Culture 1926-38
Edited by Matthew Kennedy
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"Expand your mind and look good doing it with these new boundary-bending works of theoretical exploration by some of the field’s premier thinkers." — The Architect's Newspaper "This jog through the history of physical culture vis-à-vis modern architecture features a series of drawings (beautifully rendered in metallic ink over black paper) and an impressive assortment of archival imagery. Taking the book over the finish line: a collection of somersaulting, weightlifting, and jeté-ing silhouettes that are bound to elicit more than a few smiles." — Architectural Record The Advanced School of Collective Feeling explores the advent of radical new conceptions of the body—a phenomenon known in the 1920s and ’30s as “physical culture”—and their impact on the thinking of some of modern architecture’s most influential figures. Using archival photographs, diagrams, and plans, the book reconstructs a constellation of provocative domestic projects by Marcel Breuer, Charlotte Perriand, Richard Neutra, and others. This obscure chapter in the modern movement gestures towards a remarkable synthesis of the individual and the collective, a perspective that holds enormous potential for articulating an architecture of today.
"Expand your mind and look good doing it with these new boundary-bending works of theoretical exploration by some of the field’s premier thinkers." — The Architect's Newspaper
"This jog through the history of physical culture vis-à-vis modern architecture features a series of drawings (beautifully rendered in metallic ink over black paper) and an impressive assortment of archival imagery. Taking the book over the finish line: a collection of somersaulting, weightlifting, and jeté-ing silhouettes that are bound to elicit more than a few smiles." — Architectural Record
The Advanced School of Collective Feeling explores the advent of radical new conceptions of the body—a phenomenon known in the 1920s and ’30s as “physical culture”—and their impact on the thinking of some of modern architecture’s most influential figures. Using archival photographs, diagrams, and plans, the book reconstructs a constellation of provocative domestic projects by Marcel Breuer, Charlotte Perriand, Richard Neutra, and others. This obscure chapter in the modern movement gestures towards a remarkable synthesis of the individual and the collective, a perspective that holds enormous potential for articulating an architecture of today.