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It was the middle of the nineteenth century when Lafanu Brown audaciously decided to become an artist. In the wake of the American Civil War, life was especially tough for Black women, but she didn’t let that stop her. The daughter of a Native American woman and an African-Haitian man, Lafanu had the rare opportunity to study, travel, and follow her dreams, thanks to her indomitable spirit, but not without facing intolerance and violence. Igiaba Scego has crafted a powerful exploration of what it means to be “other,” to be a woman, and particularly a Black woman, in a foreign country, yesterday and today.
It was the middle of the nineteenth century when Lafanu Brown audaciously decided to become an artist. In the wake of the American Civil War, life was especially tough for Black women, but she didn’t let that stop her. The daughter of a Native American woman and an African-Haitian man, Lafanu had the rare opportunity to study, travel, and follow her dreams, thanks to her indomitable spirit, but not without facing intolerance and violence. Igiaba Scego has crafted a powerful exploration of what it means to be “other,” to be a woman, and particularly a Black woman, in a foreign country, yesterday and today.