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In this edgy homage to Estonia, the country of his refugee fathers birth, T S Eliot Prizewinner Philip Gross continues to develop the subtle conversation between words and silence that is at the core of his poetry. At this collections heart, the shapeshifting prose-poem monologues of this book's central sequence, Evi And The Devil, weave a haunted landscape out of folktale, dark humour, the routine atrocities of history and a vividly present sense of place. The island of Vaikus (one of several words for silence in Estonian) is Estonia condensed, refracted in the dark waters of a bog pool. The voice that speaks with such compelling otherness is a channelling of a culture and a disposition often drowned out in successive occupations by the empires of the day, but always alive, and whispering. The resulting book is both a bold departure and a drawing together of the whole range of a writing life.
In this edgy homage to Estonia, the country of his refugee fathers birth, T S Eliot Prizewinner Philip Gross continues to develop the subtle conversation between words and silence that is at the core of his poetry.
At this collections heart, the shapeshifting prose-poem monologues of this book's central sequence, Evi And The Devil, weave a haunted landscape out of folktale, dark humour, the routine atrocities of history and a vividly present sense of place. The island of Vaikus (one of several words for silence in Estonian) is Estonia condensed, refracted in the dark waters of a bog pool. The voice that speaks with such compelling otherness is a channelling of a culture and a disposition often drowned out in successive occupations by the empires of the day, but always alive, and whispering. The resulting book is both a bold departure and a drawing together of the whole range of a writing life.