MIT Press Ltd Paperback English
Against Reason, Volume 1
Tony Smith, Sculpture, and Other Modernisms
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Original essays and visual art that reveal the depth and complexity of the sculpture of American modernist Tony Smith, placing his multifaceted practice in dialogue with contemporary voices. Against Reason, Volume 1 is published alongside the Tony Smith Catalogue Raisonné: Sculpture, itself the first of two volumesthe other focusing on architecturedocumenting the artists career. This book reveals the depth and complexity of Smiths oeuvre in sculpture while positioning its transdisciplinary nature in dialogue with contemporary practitioners. Commissioned essays by art historians and curators and visual projects by artists offer renewed perspectives on a variety of cultural systems, exploring the ongoing vitality of Smiths work. Their contributions reflect upon the modernist era in which Smiths work was produced to think through ingrained ideologies, revealing other, parallel modernisms and histories. Against Reason delves deeply into work by Smith that has not been previously parsed or discussed within art historical contexts. The book shuttles among visual art projects and texts, from Mario Goodens essay exploring Smiths refusal to occupy the known quantities assigned to artist and architect, to Saim Demircans study of the re-presentation of Smiths work through its photo-documentation in the mainstream press, to Judith Barrys transformation of Smiths sculpture into the form of a flipbook and centerpiece pop-up. Jenni Sorkin explores the influence of Smiths sculpture practice on his daughter Kiki Smith, while Yann Chateigné Tytelman casts a wider net to examine correspondences between Smith and the contemporary artists Joachim Koester, Mai-Thu Perret, and Cauleen Smith. Tom Burr closes the volume with a photo-collage project reflective of his ongoing engagement with Tony Smiths oeuvre.
Original essays and visual art that reveal the depth and complexity of the sculpture of American modernist Tony Smith, placing his multifaceted practice in dialogue with contemporary voices.
Against Reason, Volume 1 is published alongside the Tony Smith Catalogue Raisonné: Sculpture, itself the first of two volumesthe other focusing on architecturedocumenting the artists career. This book reveals the depth and complexity of Smiths oeuvre in sculpture while positioning its transdisciplinary nature in dialogue with contemporary practitioners. Commissioned essays by art historians and curators and visual projects by artists offer renewed perspectives on a variety of cultural systems, exploring the ongoing vitality of Smiths work. Their contributions reflect upon the modernist era in which Smiths work was produced to think through ingrained ideologies, revealing other, parallel modernisms and histories.
Against Reason delves deeply into work by Smith that has not been previously parsed or discussed within art historical contexts. The book shuttles among visual art projects and texts, from Mario Goodens essay exploring Smiths refusal to occupy the known quantities assigned to artist and architect, to Saim Demircans study of the re-presentation of Smiths work through its photo-documentation in the mainstream press, to Judith Barrys transformation of Smiths sculpture into the form of a flipbook and centerpiece pop-up. Jenni Sorkin explores the influence of Smiths sculpture practice on his daughter Kiki Smith, while Yann Chateigné Tytelman casts a wider net to examine correspondences between Smith and the contemporary artists Joachim Koester, Mai-Thu Perret, and Cauleen Smith. Tom Burr closes the volume with a photo-collage project reflective of his ongoing engagement with Tony Smiths oeuvre.