-
The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Petros Markaris, Matteo Nucci, Christos Ikonomou among other Greek writers aim to tell the all-important stories of one of the most talked-about country, that fail to make headlines. Few countries have received more media attention in recent years and even fewer have been represented in such vastly divergent ways. There’s a downside to all this attention: everyone seems to have something final to say about Greece. News headlines replace people’s individual stories, impressions substitute facts, characters take the place of people. In this volume of The Passenger, we chose to set those opinions aside in order to give to the stories, facts, and people of Greece the dignity and centrality they deserve.
The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today.
Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel.
IN THIS VOLUME, Petros Markaris, Matteo Nucci, Christos Ikonomou among other Greek writers aim to tell the all-important stories of one of the most talked-about country, that fail to make headlines.
Few countries have received more media attention in recent years and even fewer have been represented in such vastly divergent ways. There’s a downside to all this attention: everyone seems to have something final to say about Greece. News headlines replace people’s individual stories, impressions substitute facts, characters take the place of people.
In this volume of The Passenger, we chose to set those opinions aside in order to give to the stories, facts, and people of Greece the dignity and centrality they deserve.