Your cart

Your cart is empty


Explore our range of products

15% off

Faber & Faber Hardback English

It Used to be Witches

Under the Spell of Queer Cinema

By Ryan Gilbey

Regular price £20.00 £17.00 Save 15%
Unit price
per
15% off

Faber & Faber Hardback English

It Used to be Witches

Under the Spell of Queer Cinema

By Ryan Gilbey

Regular price £20.00 £17.00 Save 15%
Unit price
per
 
Dispatched today with FREE Tracked Delivery
Delivery expected between Wednesday, 8th July and Thursday, 9th July
(0 in cart)
Apple Pay
Google Pay
Maestro
Mastercard
PayPal
Shop Pay
Visa

You may also like

  • Playfully blending personal memoir, criticism and candid new interviews with filmmakers from across the LGBTQ+ spectrum, Ryan Gilbey’s engaging and dynamic It Used to be Witches is a non-chronological treasure-hunt through queer cinema past and present. Andrew Haigh (All of Us Strangers), Cheryl Dunye (The Watermelon Woman), Isabel Sandoval (Lingua Franca) and Bruce LaBruce (No Skin Off My Ass) are among the directors who reveal how queer artists use film to express their most personal truths—and to challenge, defy and outrage a world that would rather they didn’t exist. That world might look rainbow-coloured from some angles, with the likes of Brokeback Mountain, Call Me By Your Name, Moonlight and Portrait of a Lady on Fire winning awards and acclaim. But as queer and trans people find themselves increasingly under attack, It Used to Be Witches asks whether cinema can be an effective weapon of resistance and change, and celebrates an outlaw spirit which refuses to die.
Playfully blending personal memoir, criticism and candid new interviews with filmmakers from across the LGBTQ+ spectrum, Ryan Gilbey’s engaging and dynamic It Used to be Witches is a non-chronological treasure-hunt through queer cinema past and present. Andrew Haigh (All of Us Strangers), Cheryl Dunye (The Watermelon Woman), Isabel Sandoval (Lingua Franca) and Bruce LaBruce (No Skin Off My Ass) are among the directors who reveal how queer artists use film to express their most personal truths—and to challenge, defy and outrage a world that would rather they didn’t exist. That world might look rainbow-coloured from some angles, with the likes of Brokeback Mountain, Call Me By Your Name, Moonlight and Portrait of a Lady on Fire winning awards and acclaim. But as queer and trans people find themselves increasingly under attack, It Used to Be Witches asks whether cinema can be an effective weapon of resistance and change, and celebrates an outlaw spirit which refuses to die.