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The 87 Press Paperback English

Kerf

By Gareth Farmer

Regular price £12.99 £11.04 Save 15%
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15% off

The 87 Press Paperback English

Kerf

By Gareth Farmer

Regular price £12.99 £11.04 Save 15%
Unit price
per
 
Dispatched today with Tracked Delivery, free over £15
Delivery expected between Tuesday, 9th September to Wednesday, 10th September
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  • 'Kerf' are the sawdust, particles or pieces irrevocably extracted from wood by the blades of cutting implements. Failure to calculate blade thickness when cutting wood can throw off project measurements exponentially. Thin-kerf blades are most accurate for fine woodworking, but they can warp and need careful maintenance. Thick-kerf blades are labour saving but are brute and lack finesse. The poems of Kerf write through themes of woodworking, craft and labour, but these poems also analogise 'kerf' as social and cultural remnants and as examples of disjecta membra. Embedded in and around these themes, the poems in Kerf also explore the author's own, as well as others', experiences of autism and neurodivergence, particularly as manifested in feelings of isolation and in experiences of violence and rejection, but also from the angles of positive and negative obsessions, focus and distraction.
'Kerf' are the sawdust, particles or pieces irrevocably extracted from wood by the blades of cutting implements. Failure to calculate blade thickness when cutting wood can throw off project measurements exponentially. Thin-kerf blades are most accurate for fine woodworking, but they can warp and need careful maintenance. Thick-kerf blades are labour saving but are brute and lack finesse. The poems of Kerf write through themes of woodworking, craft and labour, but these poems also analogise 'kerf' as social and cultural remnants and as examples of disjecta membra. Embedded in and around these themes, the poems in Kerf also explore the author's own, as well as others', experiences of autism and neurodivergence, particularly as manifested in feelings of isolation and in experiences of violence and rejection, but also from the angles of positive and negative obsessions, focus and distraction.