University of Minnesota Press Paperback English
Place-Keepers
Latina/x Art, Performance, and Organizing in the Twin Cities
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An in-depth look at how Latina/x artists transform art into activism and reclaim space in the Twin Cities In Place-Keepers, Jessica Lopez Lyman examines how Latina/x artists in the Twin Cities navigate and challenge the region’s deep-seated racial injustices. Using “Inter-Latina movidas” - subtle yet strategic actions through which Latina/x artists forge solidarities, mobilize for justice, and reclaim space-these artists respond to systemic oppression through public performances and behind-the-scenes negotiations with the state, nonprofits, and other institutions. Centering Latina/x women and gender nonconforming artists from Chicana/Mexicana, U.S. Central American, and Caribbean backgrounds, Place-Keepers confronts reductionist theories of Latinidad that flatten ethnic and racial identities. It demonstrates how the creative and activist practices of these cultural organizers address urgent social struggles from resisting gentrification and environmental destruction to opposing police violence. Lopez Lyman situates these efforts within the broader history of racial justice organizing in Minnesota, tracing a lineage of resistance that long precedes the 2020 Minneapolis uprising following the murder of George Floyd. Through firsthand accounts and revealing case studies, Place-Keepers charts how these artists harness aesthetics as a tool for movement-building, strategically redistributing resources and transforming policy. Expanding the foundational concept of “movidas” in Chicana/o/x and Latina/o/x studies by highlighting maneuvers of infiltration, improvisation, individual ritual, and interdependence, Lopez Lyman establishes a crucial framework for understanding art as activism.
An in-depth look at how Latina/x artists transform art into activism and reclaim space in the Twin Cities In Place-Keepers, Jessica Lopez Lyman examines how Latina/x artists in the Twin Cities navigate and challenge the region’s deep-seated racial injustices. Using “Inter-Latina movidas” - subtle yet strategic actions through which Latina/x artists forge solidarities, mobilize for justice, and reclaim space-these artists respond to systemic oppression through public performances and behind-the-scenes negotiations with the state, nonprofits, and other institutions. Centering Latina/x women and gender nonconforming artists from Chicana/Mexicana, U.S. Central American, and Caribbean backgrounds, Place-Keepers confronts reductionist theories of Latinidad that flatten ethnic and racial identities. It demonstrates how the creative and activist practices of these cultural organizers address urgent social struggles from resisting gentrification and environmental destruction to opposing police violence. Lopez Lyman situates these efforts within the broader history of racial justice organizing in Minnesota, tracing a lineage of resistance that long precedes the 2020 Minneapolis uprising following the murder of George Floyd. Through firsthand accounts and revealing case studies, Place-Keepers charts how these artists harness aesthetics as a tool for movement-building, strategically redistributing resources and transforming policy. Expanding the foundational concept of “movidas” in Chicana/o/x and Latina/o/x studies by highlighting maneuvers of infiltration, improvisation, individual ritual, and interdependence, Lopez Lyman establishes a crucial framework for understanding art as activism.