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Winner of the Barbara DiBernard Prize in FictionSlow Guillotine follows three broke weirdos whose collective desire to make and think about art is constantly interrupted by their art-industry-adjacent minimum-wage jobs. Throughout the novel, the three friends' day jobs in a failing independent bookstore, a sterile gallery in downtown Manhattan, and miscellaneous living rooms across the Long Island birthday-party-clown circuit interweave with their attempts to come to terms with their precarity, gender-dysphoric embodiment, and the floating dream of collective liberation. Spanning one year and told through an obsessive first-person present tense, Slow Guillotine brings the bildungsroman structure through the autofictional looking glass, questioning how "coming of age" could be feasible in a society of debtors, wage laborers, and renters.
Winner of the Barbara DiBernard Prize in FictionSlow Guillotine follows three broke weirdos whose collective desire to make and think about art is constantly interrupted by their art-industry-adjacent minimum-wage jobs. Throughout the novel, the three friends' day jobs in a failing independent bookstore, a sterile gallery in downtown Manhattan, and miscellaneous living rooms across the Long Island birthday-party-clown circuit interweave with their attempts to come to terms with their precarity, gender-dysphoric embodiment, and the floating dream of collective liberation. Spanning one year and told through an obsessive first-person present tense, Slow Guillotine brings the bildungsroman structure through the autofictional looking glass, questioning how "coming of age" could be feasible in a society of debtors, wage laborers, and renters.